Performance Research Journal “On Spirituality”
This special journal issue, edited by Theron Schmidt and Evelyn Wan, invites the study of spirituality via a performance studies lens, considering the ways in which attention to spiritual practice can foreground alternative lineages of knowledge transmission, subaltern histories and marginalized figures, and non-standard views on media, technology, ecology, and embodiment.
Holistic Method, Holistic Technologies
The Holistic Technology Salon (V2_Lab for the Unstable Media, Rotterdam) is a gathering space for collective reflection, embodied exploration, and alternative ways of relating to technology. Evelyn Wan has been a member since 2024. Through conversation, sensory practices, and shared experiences, the project invites participants to imagine futures beyond extraction, acceleration, and digital alienation, for instance, through an emphasis on eco-centric and
Beyond the Shore
The research and performance project Beyond the Shore is led by artist Alysa Leung (Alumnus of MA CTDD ‘22, UU) at artist collective If Time’s Limited (Hong Kong): Evelyn Wan is a dramaturg and occasional performer. Beyond the Shore focuses on Inter-Asian maritime histories and feminist mythologies, and is presented through the mediums of live performance, dance, film, wearable art, table-top
Performance Research Methods
This project and book describes and collects methods for interdisciplinary research, amongst others Dramaturgical Analysis, Spectatorship Analysis, Intersectionality, Practice-led Research, Performance Philosophy, Movement Analysis and many more approaches relevant to dramaturgy.