A research project by Konstantina Georgelou and Efrosini Protopapa, that studies dramaturgy as a practice of lateral movement and, in turn, moving laterally as a dramaturgical practice. Moving laterally, sideways, instead of linearly and directly, possibilises decentering, incidentalness, incosistency and opaqueness in knowledge and attention. In our aim to resist the anxiety of reasserting knowledge, and to