Meet the Makers: Eloise Pasmore O’Pray
In this Meet the Makers event, Eloise Pasmore O’Pray will present the story of how a unique research collection formed and travelled from Britain to the Netherlands. We will learn about the obstacles that arise when trying to catalogue and make accessible a research collection and AI’s role in finding solutions. Physical objects, specifically those
“Relating, Sensing, Being: Conversations on Arts x Science x AI”
On May 27, the UU Special Interest Group “AI in Cultural Inquiry and Art” presents a conversation with the Holistic Technology Salon (HTS). HTS is an artists’ collective led by Annika Kappner, Ginevra Petrozzi and Sieta van Horck, and has been co-produced by V2_ Lab for the Unstable Media. Through incorporating different types of knowledge with artistic practice, from corporeal and
Meet the Makers: Ren Loren Britton
In this talk Ren will share their ongoing artistic indexing project called “Indexing for Disability Justice.” They will share an essay they are writing that works on tracing agency, via a few stories and hir-stories from the index. These artifacts speak of technical trans*crip pasts that enable other interdependencies and priorities for community connection and technical making today. They
Humor and factual knowledge in De Ideale Wereld — Margot Van den Eeckhout
During the Transmission in Motion session on humour and truth-telling, Dick Zijp argued that humour does not simply reveal truth but is embedded within what one might call a ‘truth regime’. A set of implicit rules that determine what is considered recognizable or legitimate. Reflecting further on his lecture, I turned to De Ideale Wereld,
“Unintentional Truths: Humor, Nature, and Situated Knowledges” — Jilke van der Kolk
At the most recent Transmission in Motion seminar, “Humor and Truth-Telling,” Dick Zijp brought Donna Haraway into dialogue with stand-up comedy. He juxtaposed her framework of situated knowledges, traditionally associated with scientific and ecological inquiry, with the deliberate construction of humor in performance. The parallel is striking. Much like scientists, comedians navigate complex entanglements, but
“Situated Comedy” — Thorn Austin
The success of stand-up comedy heavily relies on shared experiences and nuance of language which leads me to believe that the identities that comedians hold are important within the context of the reception of their performances. British comedian and academic Oliver Double identifies that stand-up comedy is characterised by ‘personality,’ ‘direct communication’ and ‘present tense’
[TiM Recap] “Humour, Truth-telling, and Situated Knowledges” – Dick Zijp (Utrecht University) moderated by Theron Schmidt
by Tom Watkins During the seminar “Humour, Truth-telling, and Situated Knowledges,” Dick Zijp examined the idea that comedians function as “truth-tellers,” particularly within liberal frameworks of free speech. He questioned how humor comes to be understood as revealing truth in a “post-truth” political context, where satire is often positioned as an antidote to misinformation. Stand-up
Meet the Makers: Jessica Sligter
What, exactly, do we think of when we hear the term ‘experimental’ in relation to music? This Meet the Makers Conversation features Jessica Sligter, an experimental musician and composer who works at the interface of different genres and disciplines via the materials of voice, electronics, space, text and concept. Sligter is originally from Utrecht but has spent much of her
[TiM Recap] “Culture for Democracy, Democracy for Culture”- Lars Ebert (Culture Action Europe) moderated by Toine Minnaert
by Agata Kok As Secretary General of Culture Action Europe, Lars Ebert advocates for strong cultural policies in Europe through cultural democracy. During the lecture moderated by Toine Minnaert, Lars introduced Culture Action Europe, which is an organisation that brings together over 300 members from 39 counties, including various cultural networks, organisations, artists, activists and
“How to Be Many: Democratic Practice and Institutional Plurality” — Jilke van der Kolk
How can we be many? A seemingly simple question, yet it became the red thread of the latest Transmission in Motion seminar “Culture for Democracy, Democracy for Culture”. Lars Ebert returned to it insistently, using it as an opening within the increasingly narrow space the cultural sector seems to occupy. How can the cultural sector